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Since being with the former, their choreography has received both praise and criticism.
They own Nappytabs urban dancewear and have been working in the dance industry since 1996.
That these continue to be issues of contention saddens me, and it’spartly our fault as critics and journalists for not doing a better jobof explaining what the stakes are.
Hope you’ll continue tocomment as fervently in 2008. It was this sort of writing — passionate discussion of things individual writers cared deeply about — that marked the best of Pop Watch for me in 2007.Whether or not you shared Michael Slezak’s enthusiasm for Fergie, or his appalled feelings over toys, or Simon Vozick-Levinson on hip-hop, or Chris Willman on country music and Bruce Springsteen, or Marc Bernardin on sci-fi, or Whitney Pastorek on music festivals and indie film, or Ken Tucker on , and too many others to name.Tabitha and Napoleon grew up on opposite coasts of the United States and met in the early 1990s as students at the University of Nevada, Las Vegas.They began their dance career together while still in college by choreographing industrial musicals for large corporations with the hip-hop dance company Culture Shock.
The phrase “guilty pleasure” has long outlived its usefulness.